Apologies for typing this with my mouth full but you know how it is when you come through the other side of a fever you have a ravenous appetite. I'm finishing off the last morsel of a corned beef, coleslaw and fresh salad sandwich made with home-baked bread, still warm; the dog, who disapproves of humans eating unaided, shows her objection by resting her drooling jowls on the closed lid of my laptop; in a short while she would ensure there's enough dog saliva to endanger life and laptop either by short-circuiting or fatal electric shock; I would have to put down my plate and remove my laptop from my lap thus giving her an opportunity to remove the sandwich. It doesn't work. I'm feeling right as ninepence after being far too unwell to eat a thing and now I'm far too hungry to play dogs' games.
Yesterday, I viewed the BFI playlist, The Big Smoke: London on Film. I've a soft spot for any old films showing ordinary goings on, especially up and down streets. London has a particular interest as it's where I'm from. The first clip, Old London Street Scene, 1903, I found truly incredible. Just how many horses were there in London at that time, and what did they do with all the shit? There's none to be seen in the film yet it only takes a couple of girls trotting by on ponies up our way and there's shit for miles! (I did a bit of reckless Googling and estimated over 100,000 public and privately registered nags by 1900 - and it was a much smaller place than now. When the oil finally runs out, and they find there's not enough minerals to make batteries for everyone to have a G-whizz, we'll be in the shit, again.
Moving on, I found this one interesting. It threw up some more questions. I liked the way the colour changes with the scenes, sepia for the interior of the Limehouse boozer, cyan for the street outside, but how would this have been done in 1920s; in the processing, post-process coating of the frames in each scene, or by coloured filters during projection? I don't know why I'm curious, I just am. I'll bet it's the middle one.
It's only an extract from a longer film, and I wouldn't mind watching the whole thing. It's a strong subject, racism, which with all isms isn't going away fast enough, and soon there'll be horseism and shittism to boot, mark my words.
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